2009/10/06

@UIUC: Patrick Drazen talk: "Gay, Kind-of Gay and Pseudo-Gay in Anime and Manga: What's the Point?" (22 Oct, 4-5:30pm; Noyes Lab 163)

"Gay, Kind-of Gay and Pseudo-Gay in Anime and Manga: What's the Point?"

a public lecture by Patrick Drazen

Thursday, 22 October 2009
4:00-5:30
Noyes Lab 163

From the cross-dressing of Osamu Tezuka's Princess Sapphire in Princess Knight (Ribon no kishi, orig. 1953-56) and Ryoko Ikeda's Oscar de Jarjayes in The Rose of Versailles (Berusaiyu no bara, 1972-73) to the fake twincest of the Ouran High School Host Club (Ouran Koukou hosuto-bu, 2003-), Japanese pop culture has not been shy about playing a variety of sexual games with its consumers. However, given the essential conservatism of pop culture's message despite cutting edge story-telling techniques, there is far more teasing going on than actual same-sex romance. In this presentation, using clips from various anime, Drazen will show that the point of most works is to nudge the consumer toward the conventional rather than away from it.



Patrick Drazen is the author of the Anime Explosion: The What? Why? and Wow! of Japanese Animation (2003). He has given presentations at the Cherry Blossom Festival Anime Marathon at the Freer Gallery of the Smithsonian Institution (2006), Schoolgirls and Mobilesuits (2004), Yaoi-Con (2002), and, for the past several years, Anime Central in his hometown of Chicago. He also participated in a panel discussion with Gundam creator Yoshiyuki Tomino as part of the Chicago International Film Festival (2006). Drazen has written on anime and manga for the magazines Animation, SFX, and Time Out New York, and sits on the editorial board of and has contributed to the manga and anime studies journal Mechademia. He is currently working on his second book.

This talk is sponsored by the Department of East Asian Languages and Cultures, the Center for East Asian and Pacific Studies, the School for Literatures, Cultures, and Linguistics, the Lesbian, Gay, Bisexual, and Transgender Resource Center, the Department of Comparative and World Literatures, and the Gender and Women's Studies Program.

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2009/08/17

CFP: Modern Art Asia (grad e-journal; initial issue deadline 7 Sept)

From: Majella Munro, Editor (modernartasiaenquiries at yahoo dot co dot uk)

Modern Art Asia is a new journal dedicated to the arts of Asia from the eighteenth century to today, presenting postgraduate research from historical perspectives and international news on Asian art. Combining peer-reviewed articles with insightful commentary and the latest exhibiton reviews from international correspondents, Modern Art Asia provides a new forum for exchange between scholars that crosses the boundaries of traditional academic disciplines, and engages with a general readership through the addition of journalistic writing on art.

Modern Art Asia invites postgraduates working on the arts and material cultures of Asia from the eighteenth century to the present to submit previously unpublished papers of 4,500-10,000 words for publication. Modern Art Asia aims to take an interdisciplinary and innovative approach to the study of Asia, and will consider papers on media and experiments that stretch the parameters of "fine art". Our first issue will be published online during the last week of October, to coincide with Asian Art in London and Frieze; the submission deadline for this issue is September 7th. We are also seeking students and journalists interested in becoming regular correspondents or in submitting shorter journalistic pieces.

Word limits: Academic papers: 4,500-10,000 / Correspondence and opinion pieces: 500-1,000 words /
Exhibition, book, performance reviews: 500-800 words

Students submitting academic papers who wish to include image reproductions are responsible for obtaining these and necessary copyright permissions. Authors of successful submissions will be notified 4 -5 weeks ahead of publication. Copyright remains with the author and authors may re-publish papers with acknowledgement of Modern Art Asia as the original site of publication. Please include an abstract (250 words) with your submission.

Contact modernartasiaenquiries at yahoo dot co dot uk to submit articles and for further information.

Modern Art Asia
modernartasia.com
modernartasiaenquiries at yahoo dot co dot uk

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2009/08/01

CFP: “Sex and Love in Asian Contexts” area @ 2010 Film & History Conference (Milwaukee; 1 Nov 2009; 10-14 Nov, 2010)


(It's been a while since I've posted a CFP, mainly because there's been very little I've seen that would be of interest to more than one EALC grad. Please share CFPs that you think others of us might be interested in. You can email them directly to the EALC grads list or to me. Keep in mind that this particular conf is in a very driveable location.)

2010 Film & History Conference: Representations of Love in Film and Television

November 10-14, 2010

Hyatt Regency Milwaukee

www.uwosh.edu/filmandhistory

Second-Round Deadline: November 1, 2009


AREA: “Sex and Love in Asian Contexts”

Asia has, perhaps, the richest history of cultural and commercial
exchange in the world, resulting in deeply layered religious,
political, and artistic traditions. In cinema, for example, sex and
love often are bound up in complex rites, taboos, negotiations, honor
codes, pieties, and spiritual allegiances. How do Asians themselves
see or represent love? How do non-Asians see or represent love in
Asian contexts?

This area, comprising multiple panels, welcomes papers treating the
representations of love and sex within, or from the perspective of,
Asian contexts (East, West, Central, South, Southeast). Proposals for
full panels should include the individual proposals for 3-4
presenters. Possible topics:

• traditional and customary practices—loved or hated

• treatments of historical and modern extra-marital sex and sex workers

• love and sex--including homosexuality--as indexes of modernity, cosmopolitanism, or the status of women

• love and sex in pre-modern inter-Asian narrative

• modern international influences (American and European)

• distinctively indigenous traditions (Bollywood, Japanese studios, etc.)

• new developments in contemporary pan-Asian cinema

• new developments in the films of Islamic cultures

• adaptations

Please send your 200-word proposal by e-mail to the area chair:

S.A. Thornton
Department of History
Arizona State University
Tempe, AZ 85287-4302
Email: Sybil.Thornton at asu dot edu (email submissions preferred)

Panel proposals for up to four presenters are also welcome, but each
presenter must submit his or her own paper proposal. For updates and
registration information about the upcoming meeting, see the Film &
History website (www.uwosh.edu/filmandhistory).

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2008/07/22

CFP: Intl Conf on Popular Culture and Education in Asia (31 Aug; 11-13 Dec; Hong Kong)


INTERNATIONAL CONFERENCE ON POPULAR CULTURE AND EDUCATION IN ASIA
Hong Kong Institute of Education, 11-13 December 2008
CALL FOR PAPERS DEADLINE: 31 August 2008

We invite you to join us at the First International Conference on Popular Culture and Education in Asia at the Hong Kong Institute of Education. The conference will bring together researchers from a variety of disciplines to focus on the implications of global flows of popular culture for educational practices and youth development. We welcome papers that elucidate changing patterns in Asian and global popular culture, as well as papers that explore implications and applications of youth engagement with popular culture inside and outside the classroom.

We welcome researchers and scholars from Sociology, Cultural Studies, Media Studies, Anthropology, Language and Literacy, Music, Visual Studies, Asian Studies, Education and other disciplines that take popular culture seriously to join us in this event. The first two days of the conference will be devoted to academic presentations. The third day of the conference will also feature practical workshops for local teachers on popular culture and pedagogy.

Dani Wang
Email: hkpop at ied.edu.hk
Visit the website at http://home.ied.edu.hk/~hkpop/conference.html

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